Voyages in Drama with Ibsen
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Ibsen Criticism
Books by Brian Johnston

The Ibsen Cycle

The Design of the Plays from
Pillars of Society to
When We Dead Awaken

 

"Johnston's analysis of the design of Ibsen's mature plays from Pillars of Society to When We Dead Awaken is the single most provocative and critically exciting book of Ibsen criticism in decades and will most likely alter significantly the course of Ibsen criticism."
- Choice
The Ibsen Cycle

"In the less than two decades since The Ibsen Cycle, Johnston's impact has been so profound that there has been an almost complete turnaround in Ibsen criticism and Ibsen production. . . No-one writes about Ibsen like Brian Johnston. . ."
- Comparative Drama
The Ibsen Cycle, Revised Edition

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Text and Supertext
in Ibsen's Drama

"[Text and Supertext] leaves this reader with the conviction that he will not be able to view plays again - in print or on stage, Ibsen's or others - unaffected by Johnston's writings. His play analyses have done for the Norwegian something comparable to what Evert Sprinchorn. . . and Harry Carlson. . .did for his younger Swedish rival. . ."
- Albert Bermel, American Theatre
Text and Supertext in Ibsen's Drama

"Johnston's work has the same potential for revitalizing Ibsen as Jan Kott's had for Shakespeare. For its analyses of subtext and supertext and its connotations for art in a despiritualized age, Text and Supertext should be required reading for anyone involved in making theatre."
- Performing Arts Journal
Text and Supertext in Ibsen's Drama

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To The
Third Empire

Ibsen's Early Drama

To The Third Empire traces the evolution of Ibsen's dramatic artistry and vision from his earliest critical writings and youthful plays to the assured mastery of Ibsen's great "middle period" when he produced such major works as Love's Comedy, The Pretenders, Brand, Peer Gynt, and Emperor and Galilean. To The Third Empire therefor forms an aesthetic biography, in which key themes sounded in the earlier plays are repeated, immeasurably enriched, in the later works. We see Ibsen simultaneously discovering his subject matter, his dramatic method and ultimately his identity as a dramatic poet, first of Norway and then of the modern world. This ranks among the most impressive artistic odysseys: born in a provincial town in an obscure cultural backwater of Europe, using a language spoken by few, Ibsen was to become the writer of whom James Joyce was to declare: "It may be questioned whether any man has held so firm an empire over the thinking world in modern times."
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