Voyages in Drama with Ibsen
home
lectures/booking
translations
•Rosmersholm•
criticism
productions
articles
e-texts
biography
site map
contact

Ibsen
Volume II: Four Plays
Pillars of Society
The Wild Duck
Rosmersholm
The Master Builder

Available for purchase through:
Barnes & Noble
or, Amazon

Rosmersholm

In Rosmersholm, the heroine, the illegitimate Rebecca West, sees herself as an agent of enlightenment in combat with a world, she believes, of entrenched traditions, superstitions and social repression. Yet she also is associated with social and sexual transgression. Her teacher and probably her father, Dr. West seems to have been her lover - an incest he must have known about. Her mother, therefore, was an adultress. Her allies in the cause of the Enlightenment are Peter Mortensgaard, (proprietor of The Beacon) also is an adulterer; and Ulrik Brendel is a social transgressor who once had to be chased away from the Rosmer mansion with a horsewhip. In this play, therefore, enlightenment progress is strongly associated with sexual rebellion.

The world Rebecca West sought to combat and to conquer in the cause of enlightenment is a traditional, conservative and Christian one. To defeat this world Rebecca began to work what seems a kind of pagan magic spell on its inhabitants: she bewitched Kroll, the autocratic schoolmaster, then his sister, who became 'infatuated' with her; then, while dispatching the sister - virtually murdering her - she set to work on the husband, until he, too, is in her power. Like a pagan witch, she seems to call up her distinctly louche colleagues, Brendel and Mortensgaard, to lead the attack on the citadel of orthodoxy, Rosmersholm.

The play sets in opposition two aspects of human civilization mostly in violent conflict. On the one side is the conservative, conscientious, civilizing, constraining forces of our civilization - the reservoir of our spiritual history and our cherished values. But this can also be a system of oppression, of what Mrs.Alving called ˆgengangere, or Ghosts, shutting out the light, preventing change, and setting itself against life. In opposition to this civilizing repression are the forces of life, of the instincts, especially the sexual, which, like the Freudian Id or libido, wishes to throw off all constraints. This is a force and energy that would ruthlessly destroy all that stands in its way.