Voyages in Drama with Ibsen
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Ibsen
Volume III: Four Plays
 
The Lady from the Sea
Little Eyolf
John Gabriel Borkman
When We Dead Awaken

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John Gabriel Borkman

This is the most strangely 'Gothic' of Ibsen's realist plays while also one of his most 'classic' in structure. It is set in winter, in the north, where the vital passions of the characters are locked in a lethal coldness of the soul. The critic, Jan Kott, called it Ibsen's greatest play and compared it to Shakespeare's King Lear probably for the emotional extremities to which it drives its larger-than-life characters. It dramatizes a world of the living dead, that of the Borkman family, in which life impulses have been so vehemently and long repressed, that the elder trio in the play, Borkman, Gunnhild and Ella, actually have created norms out of the condition of insanity; living at a level of manic resentment which keeps a husband and wife, who inhabit the same house, unable to speak to each other for over eight years; and two sisters, locked in fierce mutual hatred, willing to fight to the death to possess the son of the man they both loved but who destroyed them both.


In a desperate bid to prolong their deadly drama into the future, these ghostly elders seek to entrap the younger generation, young Erhart Borkman, and to continue to live through him to prolong their spiritually deadly condition. But Erhart is rescued by the divorcée, Mrs. Wilton, who awakens Erhart to sexual passion and emotional liberation. Between them, they affirm life impulses that fight back and ultimately break free of the entrapment of the elders as if escaping a house of horrors. As George Bernard Shaw wrote of the play: "This melancholy household of the dead crumbles to dust at the knock of the younger generation at the door.... The fresh air and the light break into the tomb; and its inhabitants crumble into dust."